Michael Camille Visual Art in Two Manuscripts of the Ars Notoria

Publications »Camille, Michael«

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RI opac: 77 Entries

1

The gargoyles of Notre-Matriarch: medievalism and the monsters of modernity Camille, Michael. - Chicago, Sick. [u.a.] (2009)

ii

Arte gótico. Visiones gloriosas Camille, Michael. - Tres Cantos (2005)

three

Image on the edge: the margins of medieval art Camille, Michael. - London (2003)

four

Die Kunst der Liebe im Mittelalter Camille, Michael. - Köln (2000)

5

Mirror in parchment: the Luttrell Psalter and the making of Medieval England Camille, Michael. - London (1998)

6

The medieval art of love: objects and subjects of desire Camille, Michael. - London (1998)

vii

Gothic fine art. Visions and revelations of the medieval globe Camille, Michael. - London (1996)

eight

Master of death: the lifeless art of Pierre Remiet, illuminator Camille, Michael. - New Haven, Conn. [u.a.] (1996)

nine

Image on the border: the margins of medieval art Camille, Michael. - Cambridge, Mass. (1992)

10

The Gothic idol: ideology and image-making in medieval art Camille, Michael. - Cambridge [u.a.] (1989)

11

The illustrated manuscripts of Guillaume de Deguileville'due south "Pelerinages", 1330-1426 Camille, Michael. - [University of Cambridge] (1984)

12

The illustrated manuscripts of Guillaume de Deguileville'southward "Pelerinages" 1330-1426 Camille, Michael. - [University of Cambridge] (1984)

13

"Rethinking the canon: prophets, canons, and promising monsters" Camille, Michael. (2018) - In: Classic readings on monster theory p. 37-42

14

Dr Witkowski'southward Anus: French doctors, German homosexuals and the obscene in medieval church art Camille, Michael. (2006) - In: Medieval obscenities p. 17-38

xv

Bodies, names and gender in a Gothic psalter (Paris, BNF, ms lat. 10435) Camille, Michael. (2004) - In: The illuminated psalter. Studies in the content, purpose and placement of its images p. 377-386, 557-558

16

At the sign of the "Spinning Sow": the "other" Chartres and images of everyday life of the medieval street Camille, Michael. (2003) - In: History and images. Towards a new iconology p. 249-276

17

Seductions of the Flesh. Meister Francke's Female "Man" of Sorrows Camille, Michael. (2002) - In: Frömmigkeit im Mittelalter p. 243-270

18

A Bibliography of the Writings of Michael Camille Camille, Michael. Boeye, Kerry [Ed.]. (2002) - In: Gesta vol. 41 (2002) p. 141-144

19

"Seeing and lecturing": disputation in a 12th-century tympanum from Reims Camille, Michael. (2002) - In: Reading medieval images. The fine art historian and the object p. 75-87

twenty

The iconoclast'due south want: Deguileville'southward idolatry in French republic and England Camille, Michael. (2002) - In: Images, idolatry and iconoclasm in late medieval England p. 151-171

21

'For Our Devotion and Pleasure': The sexual objects of Jean, Duc de Berry Camille, Michael. (2001) - In: Art history vol. 24 (2001) p. 169-194

22

The pose of the queer: Dante's gaze, Brunetto Latini'southward body Camille, Michael. (2001) - In: Queering the Middle Ages p. 57-86

23

Signs on Medieval Street Corners Camille, Michael. (2001) - In: Die Strasse. Zur Funktion und Perzeption öffentlichen Raums im späten Mittelalter p. 91-117

24

Illuminating thought: the niggling arts in British Library, Burney Ms. 275 Camille, Michael. (2001) - In: Studies George Henderson p. 343-366

25

Adam's Business firm at Angers: Sculpture, Signs and Contrasts on the Medieval Street Camille, Michael. (2000) - In: Kontraste im Alltag des Mittelalters p. 143-178

26

Signs of the city. Place, ability, and public fantasy in medieval Paris Camille, Michael. (2000) - In: Medieval Practices of Space p. i-36

27

Before the gaze. The internal senses and late medieval practices of seeing Camille, Michael. (2000) - In: Visuality Before and Beyond the Renaissance. Seeing as Others Saw p. 197-223

28

Dice Wollust und die Gier Sündenregister in Stein Camille, Michael. (2000) - In: Das 12. Jahrhundert. Kreuzfahrer, Kaufleute, Kolonisten p. 73-85

29

Art. Opicinicus de Canistris (1296-1355) Camille, Michael. (2000) - In: Trade, travel, and exploration in the Eye Ages p. 459-460

thirty

The corpse in the garden. Mumia in medieval herbal illustrations Camille, Michael. (1999) - In: Micrologus vol. 7 (1999) p. 297-318

31

Bestiary or biology? Aristotle'due south animals in Oxford, Merton College, MS 271 Camille, Michael. (1999) - In: Aristotle's Animals in the Middle Ages and Renaissance p. 355-396

32

The Luttrell Psalter and the making of "Merrie England" Camille, Michael. (1998) - In: History Today vol. 48, ix (1998) p. thirteen-19

33

Sensations of the folio: imaging technologies and medieval illuminated manuscripts Camille, Michael. (1998) - In: The iconic page in manuscript, print and digital culture p. 33-53

34

Hybridity, monstrosity, and animality in the "Roman de Fauvel" Camille, Michael. (1998) - In: Fauvel Studies. Apologue, relate, music and image in Paris p. 161-174

35

Obscenity under erasure: censorship in medieval illuminated manuscripts Camille, Michael. (1998) - In: Obscenity. Social control and artistic creation p. 139-154

36

Imagining death: 3 contempo books on decease in/and the Middle Ages Binski, Paul • Camille, Michael • Harrison, Ann Tukey. (1998) - In: Studies in iconography vol. 19 (1998) p. 211-222

37

Manuscript illumination and the art of copulation Camille, Michael. (1998) - In: Constructing Medieval Sexuality p. 58-xc

38

Visual art in two manuscripts of the Ars Notoria Camille, Michael. (1998) - In: Conjuring Spirits. Texts and Traditions of Medieval Ritual Magic p. 110-139

39

Mimetic identification and Passion devotion in the later Eye Ages: a double-sided panel past Meister Francke Camille, Michael. (1998) - In: The Cleaved Body. Passion Devotion in Late-Medieval Civilization p. 183-

40

The eye in the text: vision in the illuminated manuscripts of the Latin Aristotle Camille, Michael. (1998) - In: Micrologus vol. half dozen (1998) p. 129-145

41

Glossing the Flesh: Scopophilia and the Margins of the Medieval Volume Camille, Michael. (1997) - In: The Margins of the Text p. 245-267

42

The book every bit flesh and fetish in de Bury's Philobiblon Camille, Michael. (1997) - In: The Book and the Body p. 34-77

43

Fine art. Opicino de Canistris Camille, Michael. (1997) - In: Enciclopedia dell'arte medievale Pt. 8 http://www.treccani.it/enciclopedia/opicino-de-canistris_%28Enciclopedia-dell%27-Arte-Medievale%29/

44

Rethinking the canon. Camille, Michael • u.a.. (1996) - In: The Art bulletin vol. 78 (1996) p. 198-217

45

Art. Idolo Camille, Michael. (1996) - In: Enciclopedia dell'arte medievale Pt. 7 http://www.treccani.it/enciclopedia/idolo_%28Enciclopedia-dell%27-Arte-Medievale%29/

46

Philological iconoclasm: edition and epitome in the "Vie de Saint Alexis" Camille, Michael. (1996) - In: Medievalism and the modernist atmosphere p. 371-401

47

The Discourse of Images in Philosophical Manuscripts of the Late Middle Ages: Aristoteles Illuminatus Camille, Michael. (1996) - In: Album. I luoghi dove si accumulano i segni p. 93-110

48

The dissenting image: a postcard from Matthew Paris Camille, Michael. (1996) - In: Criticism and Dissent in the Centre Ages p. 115-150

49

The Gregorian definition revisited: writing and the medieval epitome Camille, Michael. (1996) - In: L'epitome. Fonctions et usages p. 89-107

50

An Oxford University textbook illuminated by William de Brailes Camille, Michael. (1995) - In: The Burlington magazine vol. 137 (1995) p. 292-299

51

"When Adam delved": laboring on the country in English medieval fine art Camille, Michael. (1995) - In: Agriculture in the Heart Ages p. 247-276

52

Auszüge aus der Schlussdiskussion des Symposions Camille, Michael. (1994) - In: Mein ganzer Körper ist Gesicht p. 401-419

53

The book of signs: writing and visual difference in Gothic manuscript illumination Camille, Michael. (1994) - In: A History of Volume Illustration p. 160-201

54

Art history in the by and hereafter of medieval studies Camille, Michael. (1994) - In: The past and future of medieval studies p. 362-382

55

Word, text, image and the early Church Fathers in the Egino Codex Camille, Michael. (1994) - In: Testo e immagine nell'alto medioevo Pt. 1 p. 65-94

56

Art. Drolerie Camille, Michael. (1994) - In: Enciclopedia dell'arte medievale Pt. 5 http://www.treccani.it/enciclopedia/drolerie_%28Enciclopedia-dell%27-Arte-Medievale%29/

57

"How New York stole the thought of Romanesque art": medieval, mod and postmodern in Meyer Shapiro Camille, Michael. (1994) - In: The Oxford art periodical vol. 17 (1994) p. 65-75

58

The image and the self: unwriting late medieval bodies Camille, Michael. (1994) - In: Framing Medieval Bodies p. 62-99

59

Play, piety and perversity in medieval marginal manuscript illumination Camille, Michael. (1994) - In: Mein ganzer Körper ist Gesicht p. 171-192

60

Introduction Camille, Michael. (1993) - In: Künstlerischer Austausch - Artistic Substitution Pt. ii p. 341-343

61

At the Edge of the Police: An Illustrated Register of Writs in the Pierpont Morgan Library Camille, Michael. (1993) - In: England in the Fourteenth Century (1993) p. 1-14

62

The King'southward new bodies: an illustrated Mirror for Princes in the Morgan Library Camille, Michael. (1993) - In: Künstlerischer Austausch - Artistic Exchange Pt. ii p. 393-405

63

Mouths and meanings: towards an anti-iconography of medieval fine art Camille, Michael. (1993) - In: Iconography at the Crossroads p. 43-57

64

Visionary Perception and Images of the Apocalypse in the Afterwards Center Ages Camille, Michael. (1992) - In: The Apocalypse in the Eye Ages p. 276-289, 105-157

65

Reading the printed prototype: illuminations and woodcuts of the Pèlerinage de la vie humaine in the fifteenth century Camille, Michael. (1991) - In: Printing the Written Word. The Social History of Books, circa 1450-1520 p. 259-291

66

Gothic Signs and the Surplus: The Kiss on the Cathedral Camille, Michael. (1991) - In: Contexts. Way and Values in Medieval Art and Literature p. 151-170

67

The "Très Riches Heures": an illuminated manuscript in the age of mechanical reproduction Camille, Michael. (1990) - In: Disquisitional inquiry vol. 17 (1990) p. 72-107

68

The Très riches Hefile: an illuminated manuscript in the age of mechanical reproduction Camille, Michael. (1990) - In: Critical inquiry vol. 17 (1990) p. 72-107

69

Visual signs of the sacred page: books in the "Bible moralisée" Camille, Michael. (1989) - In: Word and image vol. 5 (1989) p. 111-130

70

The devil's writing: diabolic literacy in medieval art Camille, Michael. (1989) - In: World Art. Themes of Unity in Diversity Pt. 2 p. 355-360

71

Visualising in the vernacular; a new cycle of early fourteenth-century Bible illustrations Camille, Michael. (1988) - In: The Burlington magazine vol. 130 (1988) p. 97-106

72

The linguistic communication of images in medieval England, 1200-1400 Camille, Michael. (1987) - In: Age of Chivalry. Art in Plantagenet England 1200-1400 p. 33-40

73

Labouring for the Lord: the ploughman and the social order in the Luttrell Psalter Camille, Michael. (1987) - In: Art history vol. 10 (1987) p. 423-454

74

"Him whom y'all have ardently desired y'all may see": Cistercian exegesis and the prefatory pictures in a French Apocalypse Camille, Michael. (1987) - In: Studies in Cistercian Fine art and Compages 3 p. 137-160

75

The book of signs: writing and visual difference in Gothic manuscript illumination Camille, Michael. (1986) - In: Give-and-take and prototype vol. 2 (1986) p. 133-148

76

Illustrations in Harley MS 3487 and the perception of Aristotle's Libri naturales in thirteenth-century England Camille, Michael. (1985) - In: England in the Thirteenth Century (1985) p. 31-44

77

Seeing and reading: some visual implications of medieval literacy and illiteracy Camille, Michael. (1985) - In: Fine art history vol. 8 (1985) p. 26-49

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